Of course everyone remembers the horror classic, the Exorcist. Back in 1990 when the trailers were hitting television, I remember my mom seeing it and saying, “I didn’t know they made an Exorcist 2.”
I am in the minority in this, but I like part 2. The Exorcist III has a good following in the horror world and it is now available from Scream Factory, today!
Get your copy here or on Scream Factory’s website here.
Get ready to be possessed by our upcoming 2-Disc Blu-ray Collector’s Edition of the popular (and sorely underrated) third installment in THE EXORCIST franchise. Today we, and Morgan Creek Productions, proudly present the final list of bonus features.
DISC ONE:
• The Exorcist III (Theatrical Cut) – New 2K scan of the inter-positive
• Vintage featurette
• Deleted Scene/Alternate Takes/Bloopers
• Deleted Prologue
• Vintage interviews (featuring behind-the-scenes footage) with writer/director William Peter Blatty, George C. Scott, Jason Miller, Ed Flanders, Grand L. Bush, executive producer James G. Robinson, production designer Leslie Dilley, Larry King and C. Everett Koop
• Original Theatrical Trailers
• Original TV Spots
• Photo Galleries
DISC TWO:
• Legion (Original Director’s Cut of The Exorcist III) 105 minutes*
• NEW Audio interview with writer/director William Peter Blatty
• NEW A “Wonderfull” Time – interviews with producer Carter DeHaven, actors Clifford David and Tracy Thorne and production assistant Kara Reidy
• NEW Signs of the Gemini – an interview with Brad Dourif
• NEW The Devil in the Details – interview with production designer Leslie Dilley, assistant designer Daren Dochterman and illustrator Simon Murton
• NEW Music for a Padded Cell – an interview with composer Barry DeVorzon
• NEW All This Bleeding – a look at the re-shoot and makeup effects with production manager Ronald Colby, editor Todd Ramsay, effects artists William Forsche, Mike Smithson, Brian Wade and actor/body double Charles Powell*In speaking to the process of creating the Legion Director’s cut, Blu-ray producer Cliff MacMillan explains further as to the journey to get there and the outcome. “We conducted an exhaustive search through a pallet of film assets from the original shoot to re-create William Peter Blatty’s intended vision. Unfortunately, that footage has been lost to time. To that end, we turned to VHS tapes of the film’s dailies to assemble the director’s cut. However, even some of that footage was incomplete, so scenes from the theatrical re-shoot were used to fill in the gaps. This director’s cut is a composite of varying footage quality from the best available sources.”
National street date is planned for October 25th but you can pre-order it now for early shipping at our site
